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Shelley McKenzie / Kathryn Junor

25 February - 21 March

Shelley McKenzie / The Anakies

“Northwest of Geelong are three volcanic cones, The Anakies, that last erupted around 1.5 million years ago.  Known by some as the “little hills” or “three sisters” they are now the site of substantial quarry operations with the southernmost cone destined for complete removal.  These works consider activity in the surrounds of these beautiful, sentinel forms. This sense of place is expressed in interior scenes and external scenes.  Fragments of life and land that I see around The Anakies I have picked, unpicked and recombined to make physical and psychological scapes.

The materials I have used differ in their properties- the fluidity of ink, the control of the markers and the layered transparency of the paint.  The making process is like a call and response. It invites gesture, consideration and amendment until a sense of doneness is achieved. I have chosen a vibrant colour pallet where the colours talk to each other and record the sometimes busy, sometimes stoic, sometimes grim, sometimes lovely aspects of life and death around The Anakies.”

Shelley McKenzie studied Art and Art Therapy.  Her practice is underpinned by the therapeutic benefits of making art and its ability to mobilize aspects of being.  The immersive experience of living on 100 acres of bushland outside Geelong is reflected in the themes and motifs of her work.  Her work explores the natural environment, the home, the domestic environment and objects as holding places.  Objects real and imagined are placed in space; shapes and patterns are simultaneously part of the physical environment and emotional geography. An admirer of the work of Matisse for its joyous use of color, textured interiors and organization of space, McKenzie continues to explore the immediacy of her world through the push and pull of layers of paint. Her work is held in both public and private collections.


For a full listing of Shelley’s exhibition head to:

Shelley McKenzie, The Anakies

Kathryn Junor / Views From Cars

“The road trip is such a big part of the Australian way of life and has come to my mind during this time of Covid. ‘Views from Cars’ explores the view and how you often arrived there. The cars chosen are not modern but cars from my youth that are symbols of exploration and freedom. The destinations are representational of places I have visited.”

Kathryn’s paintings are drawn from lived experience of a place with a hint of imagination. Influenced by the cubist movement and the way they reduced their subjects to forms, Colour palettes are arrived by saturating hints of colours found in nature. By combining these two approaches in tandem with strong graphic qualities and use of pattern, Kathryn’s work straddles abstraction and representational approaches to painting. Kathryn was a graphic designer but now is pursuing her painting practice full time from her studio on the Surfcoast of Victoria.


For a full listing of Kathryn’s exhibition head to:

Kathryn Junor, Views From Cars


Exhibitions run 25th February – 21st March

Opening Celebrations Saturday 27th February 1pm – 3pm


25 February
21 March


Boom Gallery


Boom Gallery
11 Rutland St Newtown
Geelong, Australia
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